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Os Cavaletes de Bo Bardi

MASP_LinaBobardi_1MASP_LinaBobardi_220 anos depois os cavaletes de cimento e vidro, propostos por Lina Bo Bardi, arquitecta do edifício do Museu de Arte de São Paulo (1968), voltam ao museu.
Uma revolução museográfica que já faz parte da história e que, por isso, é classificada como património, em conjunto com o próprio edifício.
(imagens: do Museu de Arte de São Paulo na década de 1970 e em Dezembro de 2015)
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Bo Bardi’s Esasels
20 years after, the cement and glass easels, proposed for the Museu de Arte de São Paulo (1968) (Sao Paulo Art Museum) by Lina Bo Bardi, the architect of the building, return to the museum.
A museographic revolution that is already part of the History and therefore was classified as heritage, together with the building itself.
(photos: from Museu de Arte de São Paulo in the 1970s and in December 2015)

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This entry was posted on December 18, 2015 by in Arquitectura, Arte, Design, Exposições, Museus, Uncategorized and tagged , , , , .
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