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Shunga

Shunga_TobiasRehberger_GaleriaPedroCera

Conhecemos Tobias Rehberger quando ouvimos falar do genial Peue See e Faagck Sunday Paae (1994), que quer dizer Nunca Trabalhamos ao Domingo e que levou Rehberger aos Camarões, onde encomendou a vários marceneiros a produção de modelos de cadeiras modernistas de Aalto, Breuer e Rietveld, que desenhou de memória.

Agora está na Pedro Cera com Shunga, que é sexo mas também é primavera pixelizada e antes do tempo.

A não perder.

(imagem: da exposição Shunga de Tobias Rehberger na Galeria Pedro Cera)

We met Tobias Rehberger when we heard about the brilliant “Peue See e Faagck Sunday Paae” (1994), which means We Never Work on Sundays and took Rehberger to Cameroon, where he commissioned several carpenters to produce models of modernist chairs by Aalto, Breuer and Rietveld that he drew from memory.

Now he’s back to Pedro Cera with Shunga, which is sex but is also spring, pixelated and ahead of time.

Not to be missed.

(photo: from the exhibition Shunga by Tobias Rehberger at Galeria Pedro Cera)

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This entry was posted on January 31, 2015 by in Arte, Exposições.
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